MISAMO, the Japanese sub-unit of TWICE consisting of Mina, Sana, and Momo, returns with their first full studio album, “PLAY” which was released Feb. 4, 2026. I’ve been a fan of TWICE since their debut, listening to “Like OOH-AAH” on repeat in elementary school, and I’ve been excitedly following MISAMO since their formation as a huge J-Pop and Mina fan. I can definitely say this album is a solid release. Since their debut, the trio has cultivated a refined, jazz-leaning pop sound that highlights elegance and sophistication. With “PLAY,” they expand on that identity, mixing theatrical elements, vintage sound, funk grooves, and a sleek R&B texture.
The album opens with “Confetti,” a pre-released track built around a Broadway-inspired jazz-pop arrangement. Its brassy flourishes and smooth harmonies give it a theatrical flair that feels bold but fits for the trio’s sound. Through the repetitive hook, it becomes increasingly catchy over time, which makes it an effective and energetic introduction to the album’s tone.
“Hmm” follows with a groovy synth that mixes well with the members’ voices. The drums keep the chorus smooth while their soft tones blend seamlessly with the instruments. The ending jazzy beat switch of the song allows harmonies and backing vocals to shine as it calms down.
“Not a Goodbye” embraces pop and funk influences with a bass-driven groove that feels really engaging. The bass guitar drives the song forward, giving it a bounce, while the chorus instantly pulls you in. It is definitely one of the best choruses on the album, as Momo’s gentle vocals complement Mina and Sana beautifully.
“Deep Eden” has a darker atmosphere through layered synths and sweeping strings. The cinematic instrumental encourages deeper vocals to be delivered from the members, making it seem more moody and dramatic. The song starts subtly but has compelling moments where the intensity of the song rises with emotional vocals.
“Red Diamond” shifts into sleek electronic pop. The smooth pre-chorus transition keeps the momentum of the song steady. Momo’s brief rap adds needed texture to a kind of flat vocal performance. The chorus may take time to fully resonate, but the track’s confident atmosphere stands out.
“Catch My Eye” returns the album to jazz-pop, opening with a lively piano that immediately sets the tone. The verses are very rhythmic, with a rap to enhance the fast-paced charm. Their voices naturally glide with the jazz-influenced instrumental and definitely stand as one of the album’s best songs.
The solo tracks follow, distinguishing each member’s abilities further. Momo’s “Kitty” is a very playful pop song with peculiar raps showing off her charismatic voice, Sana’s “Ma Cherry” is a short funk pop song that radiates her vibrant energy, while Mina’s “Turning Tables” leans into R&B pop that pairs snapping percussion and her controlled vocals to show off her smooth and refined voice.
Previously released tracks integrate seamlessly into the album’s structure. “Identity” maintains its confident edge, showcasing the trio’s vocal blend. “Don’t Touch Me” combines acoustic guitar with synth elements with a memorable chorus and standout raps. “Message” incorporates soft strings and gentle melodies to close the album with a calm, sensational tone that mirrors the elegance present in the album.
While some moments in the songs leave room for more, the album ultimately presents MISAMO’s confidence with jazz-influenced productions.
